Right now, leaves are falling in my garden and the days grow colder . . . I am reminded of a day in mid-January 2009 when a wintry sky threatened rain as I approached Villa Lante in Bagnaia, about forty miles north-west of Rome. Water is a feature of this garden which was begun by Cardinal Gambara in 1568; what […]
My parents had a Constable hanging on the wall of our family home for years . . . reproductions of Constable’s idyllic English landscapes like ‘The Hay Wain’ were popular after WWII. John Constable (1776-1837) painted ‘Study of ‘A boat passing a lock’’ (owned by the National Gallery of Victoria) between 1823 and 1826: the sluice gates of Flatford lock […]
Paris during October 2012 was grey most of the time; the train to Avignon, Provence, delivered us from rain into blue skies, sun and heat. In February 1888 Dutch painter, Vincent van Gogh (1853-1890), also travelled to the south of France in search of light and “the future of new Art”. He voluntarily entered the asylum, Saint-Paul de Mausole on […]
Melburnians have their favourite hang-out places: a lane, an arcade, an outdoor café, an open square, a grassy knoll, a river bank; many are just content to wander. Most ‘places’ are graced by some form of public art such as a statue, painted poles, murals, a sculpture, or that contentious form of art, graffiti. In 1980 a sculpture called ‘Vault’ […]
It took three hours from Kyoto by train and bus (make that 6 hours return), but it was worth it … My friend with whom I was travelling had kindly acquiesced and agreed to my bizarre pilgrimage to see two rocks in the Genkai sea (the southwestern tip of the Sea of Japan). For some reason, when Gary Hickey, our […]
On 24 May 2011 the National Gallery of Victoria (NGV) celebrated its 150th birthday, and on that day an exhibition displaying 107 vibrant paintings by 94 contemporary male and female Aboriginal artists living in the remote desert region of Western and South Australia (the Far Western Desert) opened at the NGV Ian Potter Centre (NGVA), Fed Square. You have until the […]
Paradoxically, works of art are wordless meditations on life which highlight the inadequacy of language and frequently testify to the ideas of the sublime and the beautiful. Two months ago I was on a return visit to London’s National Gallery in Trafalgar Square. I first saw the sizeable (292 x 246.4 cm) George Stubbs painting, ‘Whistlejacket’ (c.1762; image below), two […]
As the summer sun disappeared behind the silver birches and a silent dusk cloaked our backyard, I was transported back to Sweden for just one moment. Over a year ago (30 June 2011) we had flown into Stockholm Arlanda airport. The stark white building, surrounded by a dense green forest, with its fragrant timber-lined interior, confirmed my stereotypical images of Sweden […]
There’s a pig flying down Swanston Street. I saw it only recently on a cold wintry day in Melbourne as I waited for the lights to turn green at the Burke Street intersection. The sun was shining and the sky was so blue that I looked up and there it was … a pig with wings, balancing on top of […]
Melburnian notable, Barry Humphries, always gives his honest opinion—often through the sharp tongue of his alter ego, Dame Edna Everage. He was less than flattering when he described the bold geometric façade of Melbourne’s Federation Square (built to commemorate Australia’s centenary in 2001) as “getting used to leprosy”. Others consider Fed Square to be a dynamic meeting place on the […]
Denise’s assessment was thorough, considered and she highlighted several important shortcomings in the plot and character development. ‘Red Can Origami’ became a much stronger manuscript for her input!
Madelaine Dickie
Denise was invaluable in getting my novel from a rough 3rd draft to publication ready. I especially liked her capacity to develop a collaborative working relationship so that all the work of editing, polishing, re-writing was held in the spirit of my writing journey.
Denise has well-honed writing skills, of course, but as well she has this unusual capacity to support and encourage. She really tuned in to my direction as a writer which was enormously helpful in moving my novel forward. Beyond the fine-tuning of my last draft, Denise then gave some timely coaching to help me negotiate the new realities of publishing. How great it was to have access to such a well-grounded and experienced mentor! Highly recommended.
Thupten Lekshe
Dear Denise, Many thanks for the way you have prepared and presented my memoir. I could not imagine at the start that it would turn out looking the way you have presented what now seems a very interesting life; in fact, I might live it again. Thank you and congratulations.
Percy Rogers