There is a lot to be learned about the art of creating fictional characters from Geoffrey Chaucer’s ‘The Canterbury Tales’ (a collection of twenty-four stories written in Middle English between 1387 and 1400). I recently went through my library and came across this book, which I studied many years ago and often revisit. In the ‘General Prologue’, each pilgrim is […]
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Verbs are the engine of writing. When editing or reviewing, I often ask writers of both fiction and non-fiction: ‘Do you think critically about your choice of every verb in every sentence?’ The majority of answers are something like: ‘sometimes’ or ‘I don’t give them much thought because I’m focused on the flow of the sentence’. So many writers are […]
At the moment I am far away from home, refreshing, and immersing myself in other cultures, ancient walking trails and nature reserves. I am seeking old and new art in cities, listening to different voices and sounds, gathering new ideas to assist my work with writers. In the meantime, keep writing and honing your craft. I look forward to engaging […]
If you’re ready, or nearly ready, to have your writing (fiction or non-fiction, thesis or academic paper) proofread (or lightly edited), then why not contact me with a brief overview of your project and any specific requests for assistance (such as a looming deadline or the need to stop writing!). I understand that it takes courage to hand over one’s […]
Choosing the intimate first-person point of view to write a scholarly book or a fictional narrative is challenging. Point of view (POV) is the perspective from which an author writes a story or presents information. There are three points of view (viewpoints) — the first-person POV (I, we), the second person (you, your), and the third person (he, she, they). […]
Whether you’re writing a crime narrative, Young Adult novel or an academic textbook, the ultimate aim is to create sentences that flow effortlessly so your reader is constantly engaged with the content/narrative. This memento mori still life painting by the seventeenth-century Dutch artist Pieter Claesz is a potent reminder that life is short, but our finest work/s will endure. So, […]
To hyphenate or not to hyphenate? That is the question . . . Joining words with hyphens is becoming less frequent as many are now being fused as they become more well known, such as proofreader and girlfriend. However, when two words together modify another word, they are often hyphenated. For example, in the phrase ‘large-scale installation’, the words ‘large’ […]
Recently, I taught an adult class about classical art and spent time, with my editor’s hat on, explaining the difference between the words ‘classic’ and ‘classical’, and whether to capitalise these words in a sentence. Both words imply that something is of a special class, and refer to high culture, especially the civilisations of ancient Greece and Rome (hence the […]
Whenever I’m reading a novel or editing an unpublished manuscript with heaps of dense descriptive text, it’s always a welcome relief to turn a page and see more white than black, which is usually in the form of dialogue. More importantly, successful dialogue excites most readers because it not only advances the story and fleshes out the characters, but enlivens the […]
Although ‘principle’ and ‘principal’ sound the same, as do ‘past’ and ‘passed’, they are often used incorrectly in a sentence. These two pairs of words are called homophones — two or more words that sound the same (identical pronunciation), but have different meanings and sometimes different spellings. The term homophone comes from Greek ‘homo-’ (same) and ‘-phone’ (sound), so the […]