Walking through the National Gallery of Victoria’s rooms displaying fifteenth-to-sixteenth-century European art recently, I was pleased to see the Gallery’s 2011 purchase of the painting by Correggio (Antonio Allegri, 1489–1534), ‘Madonna and Child with Infant John the Baptist’ (1514-1515), included in the ‘hang’. At the time of purchase the painting was identified as a valuable work of art with qualities that […]